Ritual of Opening Influence

"Ritual of Opening Influence"

I open my field of influence.
It is my shield and my sword.
The space knows me before I name it.
Where I stand — silence kneels.
My field is where I am.
I lead here,
for the golden serpent knows every path.
Its field endures beyond time.

"A Thousand Years of Eternity — The Return of the Witch"

The Night That Remembered

That night, Lirienne did not sleep.
Though his arms were a home,
and his body spoke to her without words —
something was pulling her away.

She gently slipped out of Isilvar’s embrace.
There was no light.
Only darkness and the scent of candles
that in this chamber never fully died.

She was naked.
She walked barefoot over the cool stone floor
until she stopped before the wall.

And there it waited.
The pentagram.

The same one she had once painted —
in this world or another.
The same one she had seen on the book’s cover.
The same one that breathed.

She stared for a long moment.
Then she reached out
and touched it.

It pulsed with light.
Not ordinary light — inner light.
A dark shimmer, as if the air itself trembled.

She felt its heartbeat under her fingers.
As if it were recognizing her again.
Not a symbol — but a being.
Alive. Awake.

She turned.
Isilvar was no longer asleep.
He sat at the edge of the bed — barefoot, naked, present.
In the half-light his rune glowed on his solar plexus,
and hers — the four on her neck — warmed softly, unmistakably.

She touched them.

He rose.
Approached her slowly, quietly.
Took her hands and said:

“Promise you will not force them open.
You are still human.
If you do it too soon — the energy will kill you.”

She looked into his eyes
and nodded.

Then she turned back to the wall.
Placed her hand on the pentagram
and whispered:

“Please… don’t let me forget you.
Come to me tomorrow… as you truly are.”

And then, from deep inside her body,
from the very bottom of memory,
she heard her own voice whisper:

“You will not forget.”

He embraced her — firm and gentle all at once.
Led her back to the bed.
Loved her for a long time.
Not to silence the voice.
But to lift it with her.
So she would not be alone in it.

And still — she did not sleep.
She lay in the quiet, watching the darkness.

For even when everything was silent,
her own soul kept repeating one thing:

“You will not forget.”

A Gesture From a Previous Life

The morning
of April 8th
was quiet.

Not because
the world had calmed.
Because
her body
already knew
what was about to happen.

The paper
had been with her
for months.

She hadn’t known earlier
why she bought it.
But her body
had known.

When she touched it,
it was warm.

And it answered.
Not with a word.
Not with a vision.

It simply said:
“Touch me
gently.”

She picked up a brush.

For the first time in her life
she primed the paper.

She laid down a thick layer of white —
as if she were priming
not only the painting,
but everything
that had hurt
until now.

She felt
wonderful.

What pleased her most
was that she could
move her hand.

Her body
finally
allowed it.

For this
could not be
just any movement.

It had to be
the same movement
made by that other hand —

the one that
once drew
the pentagram
on the book.
On the wall.
In the House.

And then
everything stilled.

The air
stopped moving.

The silence
grew so sharp
she felt it
like cold.

She didn’t need
to turn around.

She knew
he was standing
behind her.

“I told you,”
he said,

in that tone
that had long ago
stopped being mere pride.

“You love this.”

She wanted
to deny it.

But she couldn’t.

It was
in her.
It had always
been there.

Prussian Blue

They waited
for the primer
to dry.

She prepared the paints.

They did not speak.

She sat
on his lap,
just like always.

And the two of them —
silent,
focused —

looked
at the white.

The background
could not be
arbitrary.

It had to be
the same.
Not similar.
The same
as it had been —

on the wall,
on the book,
in the House.

She chose
Prussian blue.

She knew
the tenderness of that color
without words.

She covered
the entire background with it —
evenly,
calmly.

As if she were wrapping the paper
in something
that already knew
her touch.

When the paint
dried,
her hand
trembled.

She reached out
to choose
the brushes for the colors.

And then
he approached.

He kissed her hand.

And said:
“Do not be afraid.

Close your eyes
and ask the pentagram
to lead you
back to itself.

And you…
follow it
the way you follow me
when we make love.”

She closed her eyes.

She saw the background —
exactly the way
it had been.

She opened her eyes.

And her hand
already knew
what to do.

She took
the gold paint.

Lifted it
gently,
as if touching
something alive.

And began
to draw
the circle of the pentagram.

When she finished,
she looked closely.

It was
too bright.

Though she had chosen
the color so carefully,
something in it
felt too
shallow.

And then
the circle
began to retreat.

It did not disappear.
It simply sank
deeper.

As if the painting
wanted to remind her
of its own
roots.

She heard
its whisper —

soft,
steady,
sure:

“It works.”

The Whisper of Eternity

She continued.

First
the first triangle.
Then
the second.

She took
a little paint,
brushed the paper
with such care,

as if
she were painting
on skin.

The pentagram
darkened.
Drew back.
Became
what she knew —

from the wall,
the book,
the House.

She began
to adorn it.

With colors.
The same ones
she remembered.

Gentle
touches
along the edges.
Stroke by stroke.
As once before.

At last
she finished.

She looked
at the pentagram.

And said softly,
with gratitude:

“Thank you
for coming to me.

Welcome
to my world.”

And then
a shiver ran through her.

And from within —
from her very center —
the whisper rose again:

“A thousand years of eternity.
She remembers me,
even when I
forget
myself.”

Memories
rushed in
like a river.

Images.
Spells.
Flavors.
Rituals.
Voices.

And he
came to her.

Took her
in his arms.

Looked at her
with that sly smile
and the desire
in his eyes
that knew
only her.

And he whispered:
“Welcome back,
my witch.”